I will be working the fear of the death in a collective perspective of the Ocidente in a period of conflicts and social and religious changes. The 1000 expression is perceived in the Europe in the years, of an active, firm solidarity, facing in such a way the misery how much the consequence of the calamities; solidarity that was not restricted to the livings creature and yes to the deceaseds; in the conjunct form, confession penance, therefore the good workmanships allowed to attenuate the fear to the hell and to give I assist the souls of the other world. The slaughter of witches and Jews, the war of the one hundred years and the black plague affirm the idea, therefore the continent almost was depopulated and everything this sowed the unreliability of the society that moaned lamentavaaperca of plus one ‘ ‘ man medroso’ ‘. The Christianity, thus created an imaginary one in return of the death, even in paintings, the great Lucifer was represented as the great causer of the problems, therefore it provoked the hunger, the illness, the fear and the death of the individuals. The fear of the death is something obcecador, and the man with its convivncia, starts to cultuar, promoting assays breaching with ‘ ‘ silence of medo’ ‘ , a direct relation of the death with great fears that threatened the disappearance of the race human being. The Satan and the demons were frightful in imaginary the medieval one, but also funny ridicule and; ‘ confirms Jean Delumeau; ‘ not yet it had fond of the hour of the great terror satnico’ ‘ ; moreover, the power of the Church restricted the violence, sacralizando to the military function, preserving in each man the guarantee of the divine peace, feeding the fear of the other, the Norman, the Jew, the sarraceno in sporadical overcoming..